The essay addresses the notion as ‘theatricality’ as such, its historically changing character and its specific qualities concerning the texts of Russian „new drama”. Following M. Lipovetsky, B. Boymers and others the author points out its performative quality, which creates a new type of communication with spectators similar to a ritual act. The author comes to the conclusion that new theatricality of the modern drama asks for reevaluation of traditional approaches to the scenic adaptation of literary material and gives examples proving the possibility of various solutions of this creative task
Contemporary Russian ‘new drama’ is a controversy with a range of traditions in art, an attempt to p...
In this article art specifics of space of the drama as literary genres are considered. Two measureme...
The article is devoted to the study of the features of drama-a popular literary and theatrical genre...
The article focuses on the essential components of the contemporary theatrical process. The problems...
The article is devoted to the problem of authorial intention in contemporary Russian drama. Firstly...
The work examines contemporary Russian playwrighting in terms of dramaturgy. It focuses on specific ...
This article is devoted to stylistic peculiarities of theatrical review which reflect specifity of ...
The article deals with the issue of theatricality – literariness in the artistic discourse, componen...
The present article is devoted to the symbolism of theatrical properties (props) in dramatic texts b...
The article examines the transformation of the genre of tragedy in the modern Tatar drama, which ref...
The article gives us some insight into the subsequent phases of development of contemporary Russian ...
This paper offers an analysis of the visual appearance of the texts of modern drama, performative qu...
This article analyzes verbatim as a new technique in contemporary drama. It gives historical backgro...
This paper describes the ways in which images of things are shown in the modern Russian drama. We wi...
While opposing epic drama to "Aristotle's" drama and distinguishing two of its types (conditional me...
Contemporary Russian ‘new drama’ is a controversy with a range of traditions in art, an attempt to p...
In this article art specifics of space of the drama as literary genres are considered. Two measureme...
The article is devoted to the study of the features of drama-a popular literary and theatrical genre...
The article focuses on the essential components of the contemporary theatrical process. The problems...
The article is devoted to the problem of authorial intention in contemporary Russian drama. Firstly...
The work examines contemporary Russian playwrighting in terms of dramaturgy. It focuses on specific ...
This article is devoted to stylistic peculiarities of theatrical review which reflect specifity of ...
The article deals with the issue of theatricality – literariness in the artistic discourse, componen...
The present article is devoted to the symbolism of theatrical properties (props) in dramatic texts b...
The article examines the transformation of the genre of tragedy in the modern Tatar drama, which ref...
The article gives us some insight into the subsequent phases of development of contemporary Russian ...
This paper offers an analysis of the visual appearance of the texts of modern drama, performative qu...
This article analyzes verbatim as a new technique in contemporary drama. It gives historical backgro...
This paper describes the ways in which images of things are shown in the modern Russian drama. We wi...
While opposing epic drama to "Aristotle's" drama and distinguishing two of its types (conditional me...
Contemporary Russian ‘new drama’ is a controversy with a range of traditions in art, an attempt to p...
In this article art specifics of space of the drama as literary genres are considered. Two measureme...
The article is devoted to the study of the features of drama-a popular literary and theatrical genre...